12×18cm｜184ページ｜ソフトカバー
言語：中国語
著：ユッシ・パリッカ、ダフネ・ドラゴナ
翻訳：シングル・ロン
JZZP, 2024
経験の政治的エコロジーのための用語集。
天気は、測定可能な大気として、生活する環境として、そして湿度、気圧、気温、視界を経験する時間として存在する。測定、経験、時間という3つの関心事に対応する適切な気象用語とは何だろうか？この気象用語集は、地表や空中、身体、そして私たちの環境における現代の瞬間をナビゲートするためのマニュアルである。科学的なモデルや技術的なセンサーによって定義された現実としての天候が、世界のさまざまな地域でどのように異なって、不均等に感じられているかを検証する。そのテクノロジーと影響、科学的言語と詩学、さまざまな視点、文化、地理を通しての現象と解釈を念頭に、エコロジーとしての気象を研究する。
この用語集は、展覧会 "Weather Engines"（ダフネ・ドラゴナとユッシ・パリッカのキュレーション）に付随し、アーティスト、哲学者、学者、建築家によって提案され、書かれた、馴染みのある用語から意外な用語までを提供する。
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softcover, 12 x 18 cm, 184 pages, Chinese
author: Jussi Parikka, Daphne Dragona
translator: Xingru Long
JZZP, 2024
A glossary of weather that maps terms for a political ecology of experience.
Weather exists as an atmosphere that can be measured, as an environment that is lived, and as time in which we experience humidity, pressure, temperature, and visibility. What would be the appropriate terms of weather that speak to this trio of concerns – measure, experience, and time? This glossary of weather is a manual to navigate through the contemporary moment on the surface and in the air, on bodies, and in our environments. It examines how weather has significance as a reality defined through scientific models and technical sensors, while it is being felt differently and unevenly in different parts of the world. It studies the weather as an ecology taking in mind its technologies and affects, its scientific language and poetics, its phenomena and interpretations through various perspectives, cultures, and geographies.
The Glossary accompanies the exhibition “Weather Engines” (curated by Daphne Dragona and Jussi Parikka), and provides familiar and unexpected terms as proposed and written by artists, philosophers, academics, and architects.
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Daphne Dragona is an independent curator and writer based in Berlin. In her work she addresses issues such as the ambiguities of connectivity, the challenges of the commons, and the role of technology in times of climate crisis. Her exhibitions have been hosted at the real or virtual premises of Onassis Stegi, LABoral, Aksioma, EMST (National Museum of Contemporary Art Athens), Akademie Schloss Solitude and other institutions. Articles of hers have been published in various books, journals, magazines, and exhibition catalogs by the likes of Springer, Sternberg Press, and Leonardo Electronic Almanac. Dragona was part of the core curatorial team of the transmediale festival between 2015-2019. She holds a PhD from the Faculty of Communication & Media Studies of the University of Athens.